About me
About me
Typography is where I start. Not as decoration, but as the actual engine of a project — it's a grid that dictates every shape, a single letterform that becomes a whole identity. I'd rather spend three weeks perfecting a system than one week making something that merely looks finished. That's the kind of designer I am: less interested in trends, more interested in whether the logic holds up when you look closely.
Typography is where I start. Not as decoration, but as the actual engine of a project — it's a grid that dictates every shape, a single letterform that becomes a whole identity. I'd rather spend three weeks perfecting a system than one week making something that merely looks finished. That's the kind of designer I am: less interested in trends, more interested in whether the logic holds up when you look closely.
Where I am:
Where I am:
Currently finishing my design education in Kraków, looking for job opportunities in branding and editorial design.
Currently finishing my design education in Kraków, looking for job opportunities in branding and editorial design.
What I like:
What I like:
I’m drawn to projects where typography and system-thinking meet — whether that’s a book design or a logo built from a strict grid.
I’m drawn to projects where typography and system-thinking meet — whether that’s a book design or a logo built from a strict grid.
How I work:
How I work:
I like starting from constraints — a grid, a rule, a material limitation and seeing how far a concept can be pushed within them.
I like starting from constraints — a grid, a rule, a material limitation and seeing how far a concept can be pushed within them.
I am working with:
I am working with:
Visual identities
Web design
Visual identities
Web design
Editorial
Packaging
Editorial
Packaging